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| La
collection des "Beethoven Rareties" vous
proposer des enregistrements rares ou inédits puor votre discothèque:
choix des éditions et des reconstructions explicités dans
un livre bien documenté. Ces CDs sont des réalisations menées
à bien par une équipe de passionnés qui souhaitent
partager et faire découvrir des oeuvres parfois rares de Beethoven" |
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-----Beethoven: Movement from a piano concerto, Hess 15 -----"In late 1814 and early 1815, Beethoven spent a good deal of time on a project that never reached completion: a piano concerto in D major, which would if completed have been the sixth. He made about seventy pages of sketches for the first movement. He even started writing out a full score (MS Artaria 184 in the Staatsbibliothek zu Berlin), which runs almost uninterrupted from the beginning of the movement to the middle of the solo exposition although the scoring becomes patchy as the work proceeds and there are signs of indecision or dissatisfaction on the composer's part. For whatever reason, Beethoven abandoned the work, and this torso of a movement (known to Beethoven scholars as Hess 15) remains one of the most substantial of Beethoven's unrealized conceptions"... - ..."From the start to bar 182 (6' 44"), the music corresponds bar by bar to Beethoven's score: sometimes the notes you hear have been written by Beethoven, sometimes by me or my co-worker Kelina Kwan Kit Hing (at that time a student at Hong Kong University) - but the music has all been mapped out by Beethoven. But at bar 182 Beethoven's score breaks off"... -... "So this is not Beethoven's Sixth Piano Concerto, not even its first movement. But it is a snapshot of what Beethoven had in mind before he decided it was not to be his Sixth Piano Concerto. As such it offers a rare glimpse into Beethoven's mind. And it provides an unfamiliar vision of failure: here, for once, is a piece that did not work out. Even so, it contains some attractive music". ----Nicholas Cook, Royal Holloway, University of London (from the note cover) |
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| -----Meanwhile, the Trio Anhang 3 in D major, which has been somewhat overlooked, deserves separate mention. Attributed to Mozart up until 1910 (Köchel, A. 52a), the Trio was subsequently reattributed to Beethoven in 1926 by Wyzewa and Saint-Foix, together with four other pieces: The Rondò Anh. 6, for piano (now acknowledged as being authentic), and the Three Pieces for Pianoforte (piano duet) Anh. 8 (which are certainly apocryphal). The precise attribution of the Trio is still the subject of musicological research, since its authorship is undecided between Ludwig and his brother, Carl van Beethoven. Should the latter hypothesis be confirmed, we would have a real revelation on our hands: Carl van Beethoven would be identified as an excellent composer, capable of composing a work of great expressive quality, not without a number of interesting analogies, recognizable in the opening Allegro in the first Op. 1 Trio. The version proposed here is the first complete one in the 33 missing bars (from bar 63 to 96 in the first movement) reconstructed by Albert Willem Holsbergen, at the conclusion of a study carried out by the Beethoven Research Centre, “Unheard Beethoven”. The world premiere of this version, performed by the same musicians who feature in this recording, took place at Moneglia, near Genoa, in August 2005 ----Armando Orlandi (from the note cover). |
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